every thing's finished up! Looks good to me!
prewash |
final! |
designed to inspire, excite, educate and entertain
In case you're really following along (I can only hope), here's what I did:
1. 75-0-75 ns. Swing P5. Arrange for 1X1 rib. Manual wrap cast on.
2. RC000.T5/5, K1R. Hang comb and weights. Bring ns out to make sure that all is well.
3. T4/4. K8R. T7/7, K1R (fold row). T4/4. K8R.
4. CAR. Set for English rib, tuck on RB. K2R.
5. Swung English rib: Rack to P7, K2R, rack to P5, K2R for 8 rows. You should be back at P5.
6. On MB, bring empty ns to work. Transfer all to MB.
7. Hang neck edge sts from WY with RIGHT side facing you. There will be 2 sets of sts on needles.
8. Stockinette, garment tension, K3R. Remove on WY. Join other shoulder and seam neckband. Backstitch the 3 rows of plain knitting to front of garment, stitching through open loops of last row of main yarn.
9. Fold cast-on edge to inside and handstitch with running stitch, loosely to last row of 1X1 above racking.
That’s running-out-of-yarn-anxiety!
Just to recap, I had a small cone of 70g and an almost full cone, 490g, both ‘surf’ but turns out they’re different dye lots! They look the same on the cone but we’ve all been there - that line when you add the next one in tells the tale! What I’m doing to disguise it is using the small cone for the ribbed bands - 10 rows of 1X1 on the body, just enough to hem it and hold it down, and, 30 rows of 2X2(2X1) industrial rib for the cuff, giving it a little more oomph and body for a man-cuff - the line created by the variance in the stitches between the rib and the 1RT will be enough to hide the dye lot differences.
Back is done, it weighs 160g; Front, 158g. First sleeve done and there’s 74g left on the larger cone. Do the math and the first sleeve took 74g…oh, man that’s gonna be close! Normally, after the back and front, I’d join one shoulder and do the neckband especially after all those practises but I don’t dare, even though I’m using a different yarn for the neckband…gotta make sure to get the second sleeve before putting it all together, just in case!After the second neckband swatch, added to the opposite side of the tension swatch, I noticed there was something weird happening after the RTR (remove, turn, rehang). Maybe it wasn’t a mistake - possibly it just showed up more in the cotton because there’s better stitch definition than the wool used in the NBT sample. And then I thought, what the heck! Why am I doing that RTR?
Actually it’s because for this neckband technique to work properly, you need to have the wrong side of the neckband facing you when the right side of the neckline is hung on top. But I meant, why? If I switch the tucks of the English rib to the bottom bed, making the side facing the wrong side, there won’t be any need for that RTR! Why didn’t I think of that before?
Omigosh! And I thought making a pullover would be quick and easy!
Back to the Suva situation, I had already made a couple of swatches, with the ‘surf’ a pale blue/gray and cream combination-it’s hard to tell what colour is predominant and it seems to change with the lighting. In my mind I wanted to use a contrast colour for the neckband at least - couple of reasons - manfriend has a very harsh beard/stubble, even though he shaves daily - it’s almost like a wire brush and I’ve noticed if he has a close-fitting neckline and a softer fabric, it gets abraded and brushed-looking so I hoped using a mercerized cotton, like Bonita or Cannele would make a harder-wearing neckband than the Suva which is quite soft.
BTW, the T9 swatch (pebbles), after wash and dry was 25 sts and 42 rows. This one, at T8, same pattern, is 28 sts and 54 rows - wow! That one number tighter makes a big difference!
I picked one of those ‘fancy ribs’ neckband from NBT, the one with the swung English rib…